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CONTREPOINT

Contrepoint from April 2 to April 30, 2026
Opening on April 2, 2026, RSVP

Curator: Monia Abdallah​

Counterpoint presents works produced by four Montreal-based artists – Mohamed Ben Soltane, Asmae Laraqui, Jianbing Nie and Leila Zelli – whose practices are shaped in various ways by the complex notions of culture(s) and identity(ies). Through different media, techniques and materials - painting, sculpture, porcelain, etc. -, these works offer an open reflection on the sharing of geographies, memories, heritages, traditions and modernities. The selected works evoke, more or less explicitly, a range of artistic and artisanal traditions linking the South to the North and the North to the South, and testify to the role of ancient art in the creative process of the contemporary artists presented. The exhibition title refers to a musical term designating a compositional technique based on layering; it also refers to a series of curatorial practices that took place at the Louvre Museum between 2004 and 2014, which brought contemporary art into dialogue with collections of ancient art. Finally, it refers to Edward Said’s contrapuntal critical theory, according to which every cultural work reflects something about past and present relations of power and domination: “The power to narrate, or to block other narratives from forming and emerging, is of the utmost importance to culture and to imperialism, and constitutes one of the major links between the two.”

Artists

Mohamed Ben Soltane

Mohamed Ben Soltane is a Tunisian visual artist and curator based in Montreal. His work combines painting, photography, mosaic and installation. It is rooted in cultural studies, postcolonial critical thought, and a reflection on memory, justice and interculturality. His artistic practice evolves from a documentary gaze focused on the walls of Tunis (Les murs de Tunis parlent, 2004–2009) toward a dreamlike pictorial universe inhabited by hybrid figures, where color becomes a form of enchanted resistance.

He has exhibited his work in Tunisia, Algeria, Morocco, Spain, France, Germany, Italy, the USA, Canada and elsewhere.

Since settling in Montreal in 2022, he has actively pursued both his artistic and curatorial practice by building bridges between cultural scenes of the North and the South. He develops solo exhibitions (Soul Fantasy, EDEN) and initiates collaborative projects such as the Cross Residencies Montreal + Tunis (Galerie B-312, Conseil des arts de Montréal), which bring into dialogue artistic practices from diverse contexts. His current work explores notions of decentering, memory, and creation as a transcendental gesture, in a spirit of openness, transmission and the re-enchantment of the world.

Asmae Laraqui

Asmae Laraqui is a multidisciplinary visual artist born in Morocco and based in Montreal. She holds a Bachelor’s degree in Visual Arts from Concordia University. Her work has been presented in solo and group exhibitions in Canada and Portugal, affirming her presence on the contemporary art scene.

In 2020, she received the Dem’Art grant from the Conseil des arts de Montréal, in collaboration with Circa art actuel, through which her work was presented at Popop Galerie. Later, in 2023, she was awarded a research and experimentation grant from the Conseil des arts et des lettres du Québec (CALQ), in partnership with the Vallée-du-Richelieu Regional County Municipality.

Her artistic journey has also led her to participate in several prestigious creative residencies, including Loulé Criativo and Officina de Barro in Portugal (2020), as well as Keramik at the Guldagergaard International Ceramic Research Center in Denmark (2024). She was also selected to take part in the second edition (2026) of the ceramic sculpture residency organized by TOPO and Art’Up Résidences at Rocabella in Toulon, France. Her works have been presented in various galleries, reflecting the singularity of her artistic approach.

Jianbing Nie

Jianbing Nie, born in China, currently lives and works in Canada. He holds a DNSAP degree from the École nationale supérieure des beaux-arts de Paris and a PhD in art studies and practices from UQAM. He currently teaches at the Université de Montréal and at UQAM. He regularly exhibits in Canada, the United States, China and elsewhere.

In his artistic practice, shaped by multiple cultures, Jianbing Nie connects the aesthetic, political and cultural dimensions carried by images. Through the dialogue and collision between images, he creates tension between Eastern and Western visual experiences, and seeks to express the harmonious and/or antagonistic relationships between East and West, tradition and modernity, hope and reality.

Leila Zelli

Born in Tehran (Iran), Leila Zelli lives and works in Montreal. She holds a Master’s degree (2020) and a Bachelor’s degree (2016) in Visual and Media Arts from UQAM. She is interested in the relationships we maintain with ideas of the “other” and the “elsewhere,” and more specifically within this geopolitical space often referred to by the debatable term “Middle East.” She creates site-specific digital installations using images, videos and texts often gathered from the internet and social media. The result is visual and sound experiences that prompt reflection on the state of the world, on our relationship to the Other, and on the real impact of our actions on humanity.

Her work has been presented, among others, at the Musée d’art de Joliette (permanent exhibition), the Toronto Biennial of Art (2024), the Montreal Museum of Fine Arts (Arts of the One World Collection), Dazibao (2023), Galerie Pierre-François Ouellette (2023–2021), Galerie Bradley Ertaskiran (2020), the Conseil des arts de Montréal (2019–2020), and Galerie de l’UQAM (2024, 2020, 2019, 2015).

Monia Abdallah​

Monia Abdallah is a professor of cultural approaches to visual arts in the Department of Art History at the Université du Québec à Montréal (UQÀM). Her research focuses on contemporary artistic practices from the so-called Middle East, as well as on the history of artistic modernisms outside Europe and North America. Her most recent publications examine the discourses linking Art, Islam and Modernity, and more specifically the notion of contemporary Islamic art, which was the subject of her doctoral thesis defended at the École des hautes études en sciences sociales (EHESS, Paris), titled Construire le progrès continu du passé. Enquête sur la notion d’art islamique contemporain. Before joining UQÀM, she completed a postdoctoral fellowship at the University of Toronto (SSHRC postdoctoral fellowship) and was a postdoctoral fellow of the Andrew W. Mellon Foundation at the Courtauld Institute of Art (London), where she taught the first course on contemporary Middle Eastern art.

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Le marcheur

Porcelain, underglazes, oxidized steel support by Amer Rust

16.5" x 8.6" x 3.9"

$2,100

Asmae Laraqui

2024

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Porosité Partagée

Porcelain, underglazes, oxidized steel support by Amer Rust

3.5" x 14.9" x 14.9"

$2,200

Asmae Laraqui

2025

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Floraison

Porcelain, stoneware, glaze, oxide

4.7" x 4.3" x 3.9"

$850

Asmae Laraqui

2025

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Mémoire en mutation

Porcelain, glaze, underglaze, oxide, traditional nails and metal bar

15.7" x 4.3" x 5.1"

$1,800

Asmae Laraqui

2025

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Lisière Vivante

Porcelain, underglaze, glass, oxide, oxidized steel support by Amer Rust

3.9" x 16.1" x 16.1"

$2,300

Asmae Laraqui

2024

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Peau en devenir

Porcelain, underglazes and glazes

3.9" x 9.45" x 4.3"

$650

Asmae Laraqui

2026

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Pied d’estale

Doily and cut-out

18" x 12.5"

$500

Mohamed Ben Soltane

2026

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Popey

Doily and cut-out

18" x 12.5"

$500

Mohamed Ben Soltane

2026

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New baby

Doily and cut-out

18“ x 12.5“

$500

Mohamed Ben Soltane

2026

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Amour multiple

Paper cut-out

12" x 16”

$500

Mohamed Ben Soltane

2026

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Sors de ma tête

Paper cut-out

12" x 16"
$500

Mohamed Ben Soltane
2026

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Je même

Paper cut-out

12’' x 16’’

$500

Mohamed Ben Soltane

2026

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Sur les nuages

Diptych – Gold acrylic on slate

12“ x 24“

$800

Mohamed Ben Soltane

2026

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Lueur 02

Pastel, ink, graphite, print

47.2’’ x 59’’

Leila Zelli

2026

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Lueur 03 - les massacres du 8 et 9 janvier 2026, Iran

Pastel, ink, graphite, print

47.2’’ x 59’’

Leila Zelli

2026

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Étude pour Un chant peut traverser l’océan

Graphite, ink, print of the words “Woman, Life, Freedom” in Persian

8.6’’ x 35.8’’

Leila Zelli

2024

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Point Vitaux; La solution n.4

Oil on canvas

36’’ x 48’’

$4,000

Jianbing Nie

2023

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Point Vitaux; La solution n.5

Oil on canvas

36’’ x 48’’

$4,000

Jianbing Nie

2023

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Ma dynastie song, La joie de la rencontre

Oil on canvas

36’’ x 36’’

$4,000

Jianbing Nie

2023

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Ma dynastie song, Le parfum de la cour

Oil on canvas

36’’ x 36’’

$4,000

Jianbing Nie

2023

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Ma dynastie song, Les papillons s'attardent sur les fleurs

Oil on canvas

36’’ x 36’’

$4,000

Jianbing Nie

2023

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