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Kimpov Eap

Kimpov Eap’s painting practice is rooted in an exploration of gesture, material, and perception. She favors oil and acrylic, mediums that allow her to investigate the tensions between opacity and transparency, density and fluidity, structure and dissolution.

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Helene Goulet

Goulet's work is part of a contemplative approach: it invites slowness, listening to silence, and reading signs in space. It is not a descriptive realism, but rather an allusive art, which suggests more than it shows.

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Bertrand Licart

Multidisciplinary artist, Bertrand Licart develops a practice that connects painting, music, and spiritual exploration. Trained in cello at Université Laval, in theater with Marcel Marceau in Paris, and in painting under the icon master Nicolaï Greschny, he grounds his work in a sensitive approach to gesture and presence.

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Sonia Roseval

Sonia Roseval develops an intuitive and contemplative practice, working primarily with Japanese ink on washi paper. Inspired by meditation, nature, and the subtle rhythms of daily life, she creates works characterized by repetitive lines, organic forms, and a minimalist approach influenced by Japanese aesthetics, exploring states of consciousness and the silent energy of the living world.

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Robert Péloquin

Robert applies all his acquired skills to create sculptures that reflect his environment and thoughts. His works are composed of metal, glass, and stone.

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Won Ch. Kimetarx

Kimetarx’s artistic work explores a new artistic approach to architecture as an alternative to space-centered architectural creation.

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Claude Gauthier

Claude Gauthier is a Montreal-based photographer who explores portraiture with a sensitivity that is both human and aesthetic. His work captures the essence of his subjects through an intimate, refined, and deeply expressive approach.

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Maggie Romanovici

La palette se distingue par des couleurs vibrantes et lumineuses, des contrastes saisissants et une énergie visuelle qui capte le regard. Dans ses séries abstraites, les couleurs et les formes sont vécues comme des vecteurs d’émotion et de mouvement.

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