Entering Kimetarx's artistic universe is like venturing into a secret clearing in the heart of an architectural forest, a place where the imagination takes root and flourishes freely. Rejecting traditional approaches focused solely on the conception of space, Kimetarx fuses the codes of architecture with the creative impulse of visual art to shape new narratives. His works are not simple pictorial representations: they become speculative illustrations, nourished by the theoretical, narrative, and graphic foundations of visionary, narrative, and paper architecture.

Kimetarx's artistic style fuses speculative architecture with a biomorphic and narrative aesthetic. Organic and modular forms recall totemic or anthropomorphic figures, enveloped in architectural grids evoking digital envelopes or futuristic structures. Each composition seems to emerge from a parallel world where the built space dialogues with fiction and science. Technical elements, annotations, cross-sectional perspectives, and mathematical symbols reinforce the illusion of a plausible architectural project, while maintaining a strong poetic and critical dimension. This hybrid visual language challenges the boundaries between art, design, and visionary architecture.

This architectural series by Kimetarx explores a speculative and symbolic dimension of architecture, where structures become hybrid entities, half-organic, half-mechanical. Each work seems to emerge from a utopian dream or a technological nightmare, merging bodies, buildings, and urban landscapes. The elongated and monumental forms evoke totems or ritual artifacts, while the textures and geometric patterns suggest an influence of visionary architecture and science fiction. The artist subverts the classic functions of the built environment to create a narrative language: anthropomorphic skyscrapers, serpent bridges, machine phalluses, and matrix cities become pieces of an allegorical narrative about power, desire, and collective memory. The ensemble offers an implicit critique of standardized urban planning, while celebrating the imagination as a tool for reconstructing the world. These visions, both futuristic and archaic, question the relationship between humanity, territory and architecture in an era of change.